'Figuring out how to adjust the color was a daunting task,' Wessel-Estes said. 'Last Call' constitutes a unique approach to cinematography, similar to other works such as 'Timecode' and 'Russian Ark', in which Booth was inspired.īoth Booth and filmmaker Wessel-Estes, who also served as a colorist on this project, knew they faced a great challenge in grading an uncut film with two shots in continuous motion in an urban setting.

In addition, he was responsible for 'Fifteen', a film from the Blumhouse studio that was also recorded in a single take and broadcast live, something unheard of until that time. Gavin Booth was no stranger to such projects, having directed several one-act plays and video clips filmed in one take. The screen is then split in two to show both characters as they strike up a life-changing conversation. When she tries to call a help number, she mistakenly contacts a single mother who works nights as a janitor at a local university. 'Last Call' tells the story of a suicidal alcoholic on the anniversary of his son's death. The feature film 'Last Call', shot in two simultaneous 80-minute shots, was grounded at DaVinci Resolve Studio by colorist and cinematographer Seth Wessel-Estes, who also used a DaVinci Resolve Micro Panel device for this purpose. Feature film Last Call with DaVinci Resolve Studio

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